The Drama Effect

lisamgrigsbyphoto:

A little impromptu portrait shoot in The Cloth House with talented musician Blondie g-d.

Best gift yet. My logo for Blondie.g.d. as a necklace..Future merchandise? #logo #blondiegd #gift #Wes209 #necklace

Best gift yet. My logo for Blondie.g.d. as a necklace..Future merchandise? #logo #blondiegd #gift #Wes209 #necklace

3 people in 1 house

each one in their own room

their own glories

their own worries

their own sorrows 

19-year-old me

19-year-old me

Ι’m finally on Spotify, Deezer, iTunes, Amazon! Let’s make this something good! :)

Γιατί να πρέπει μες τη σκέψη μου να βρω

Αιτίες να χαιδεύω το κορμί μου

Και γιατί κύριε τόσο να αποζητώ τις σκέψεις των ανθρώπων για το ίδιο;

Τίποτα. 

Τίποτα δεν μοιάζει και τίποτα δεν φέρνει χαρά

άμα το ίδιο δεν εκφράσει τη δική του σκέψη πάνω στ’ απτά και υπαρκτά.

I might be talking a lot when I’m hyper and I would keep him awake, but when they fall in bed together, she always lets him sleep. Yes, it is a but

Picky.

I’ve been oh so very picky. And I finally picked someone who won’t pick me. 

My graphic designer Wes209 and I want to present you my Logo for Blondie.g.d. This is it and this is why. I am very excited and proud of our collaboration. 'A square shape is expanding with an externally oriented movement. Each one of its three ‘levels’ presents a different visual perspective, creating the initials ‘bgd’ respectively. Each square is self-contained in time…whether past, present, or future. This idea is based on the theory of Chaos, according to which the present helps shape the future, but the present does not necessarily determine the future. Similarly here, each one of the conditions has its own identity, without however, escaping the whole design. Present, past and future interact and expand to infinity. Both through time and space and within space and time a human being is shaped and therefore follows this line to communicate, share his experiences, knowledge and crises, which once affected his life and which will determine his future. At the same time, this identity cannot solely rely on their past for justification, but it is the outcome of a never-ending experience.’ These different editions of the same shape also reflect my belief in the existence of one life, the one individual experiencing the common and unique feeling of life within a body. The same individual is various different characters and can identify with other individuals and with all different situations. The core of life is the same; everything else is random, luck, chaos. Over-identification makes us unhappy. Through time we change, we become different people or we become more able to understand the Other. That’s why my album is a mixture of sounds and feelings and that’s why I use my voice in different ways according to what I am singing. This is why my album will be called Dramatic Theories and why I have called my music style the Drama Effect. Because role-playing fits this idea and the idea of Chaos.

My graphic designer Wes209 and I want to present you my Logo for Blondie.g.d. This is it and this is why. I am very excited and proud of our collaboration. 

'A square shape is expanding with an externally oriented movement. Each one of its three ‘levels’ presents a different visual perspective, creating the initials ‘bgd’ respectively. Each square is self-contained in time…whether past, present, or future. 
This idea is based on the theory of Chaos, according to which the present helps shape the future, but the present does not necessarily determine the future. Similarly here, each one of the conditions has its own identity, without however, escaping the whole design. Present, past and future interact and expand to infinity. Both through time and space and within space and time a human being is shaped and therefore follows this line to communicate, share his experiences, knowledge and crises, which once affected his life and which will determine his future. At the same time, this identity cannot solely rely on their past for justification, but it is the outcome of a never-ending experience.’ 

These different editions of the same shape also reflect my belief in the existence of one life, the one individual experiencing the common and unique feeling of life within a body. The same individual is various different characters and can identify with other individuals and with all different situations. The core of life is the same; everything else is random, luck, chaos. Over-identification makes us unhappy. Through time we change, we become different people or we become more able to understand the Other. That’s why my album is a mixture of sounds and feelings and that’s why I use my voice in different ways according to what I am singing. This is why my album will be called Dramatic Theories and why I have called my music style the Drama Effect. Because role-playing fits this idea and the idea of Chaos.

For nothing is protected.

Always this shadow coming from inside under

Out through our nostrils like smoke on stage.

Veil around our heads, glove at the tip of our fingers.  

All of me, why not take all of me?

All of me, why not take all of me?

Use your charm
to cover up
the faults in line
the mess in the wardrobe of your mind. 

Use your charm

to cover up

the faults in line

the mess in the wardrobe of your mind. 

Αυτός τι λέει;

‘Μύριζες αντηλιακό όταν σε πέτυχα στο δρόμο για το πάρκο. Ξέρω πόσο σιχαίνεσαι το καλοκαίρι, την υπερβολική την ζέστη, τον ιδρώτα. Μύριζες ωστόσο, αναπόφευκτα, καρύδα. Και ήσουν ιδρωμένη· το δέρμα σου γυάλιζε όπως και τα μαλλιά σου - ίσως πάλι να’ταν το spf 30. Με αγκάλιασες χαρούμενα και αμήχανα όπως πάντα και μύριζες τόσο όμορφα που ήθελα να μπορούσα και εγώ όπως το καλοκαίρι, τόσο επιτυχημένα να σου επιβληθώ. Χωρίς προστασίά. Ν’αναγκαστείς να με δεχτείς χωρίς μελαγχολία, γιατί τώρα δεν ξέρω αν μπορείς στ’αλήθεια να δοθείς χωρίς κατι δικό σου να αφήσεις. Νομίζω μ’αγαπάς. Πρέπει να μ’αγαπάς. Συνέχεια αυτό δείχνεις και δεν ξέρω πως το κάνεις και πως τίποτα δεν σε κραταει απο το να προδίδεις τόσο αναίσχυντα σχεδόν το άρωμα σου μαζί και την αγάπη σου για μένα· αφού   όπου πας όποιον κι αν δεις, χαμογελάς. Γι’αυτό ακριβώς θελω να σου επιβληθώ, να δω το σοβαρό το πρόσωπό σου καθώς θα μπαίνω μέσα σου. Να μη με αγαπούσες τόσο, να σ’έκανα εγώ να μ’αγαπήσεις.

Μ’αγαπας, μ’αγαπάς, μ’αγαπας, μ’αγαπάς, μ’αγαπάς χωρίς πάλι να ξέρω το γιατι. Οι δυό χιλιάδες λόγοι που μου δίνεις σε όλες τις ατυχείς στιγμές μας -όταν μιλάει το κρασί- εξίσου δεν μπορούν να επιβληθούν. 

Τι θα κάνουμε όταν υπάρχει τόσος πόλεμος και τόση πολεμική ετοιμότητα ανάμεσά μας; Κανείς μας δεν μπορεί να επιβληθεί ή μία μάχη έστω να κερδίσει, και θα είμαστε εξίσου ευτυχισμένοι, χωρίς στ’αλήθεια να το επιχειρούμε. Πως θα συνηθίσουμε και πως θα πρωτοαγαπηθούμε;’image

Libido

You are the fearfully considerate

that I want to shake from the right to the left

-from the right to the left of things-

the opposite way of the one you are expected to look every time you open

your window

-

there will still be a window

but I’ll be standing up against it with a white dress and a libido

I will ask you to greet

-

You, all disoriented and as a good boy as ever, you will carefully sit down

and that will be enough for me to look at

as long as you return the gaze

as long as you are able to feel

the breeze that will be sweeping through my curves

as you are now lying on your bed

-

still being the fearfully considerate.

-

Your gaze is not like you

the gaze is blue lava, a worthy opponent to the breeze

that is still caressing my body as I am standing against the pane

the material of the dress is a distorted second skin

a skin I am willing to change in front of you -

it can fall of if you ask it to

-

What is with the room?

We could be in a mental institution

everything is so tidy and plain

so white and in its place

you feel you are in the right place too but you are thinking

I am not supposed to be there

calm yourself down boy, you are convinced it is a dream

and it is

-

still, you are not waking up.

Why are you not waking up?

You like feeling the cool wind, now warmed up by the contact

with the persistent obstacle that is my body

standing still in front of the window

as palpable as the window

my hands supporting its weight

while my waist is leaning

back

and further back

and my eyes penetrating you

with the intensity you would be penetrating me

-

I am not smiling for the first time

and that scares you and turns you on

it turns you on and only I can turn you on now

-

and there is no other woman in the world that can stand on that clean

window pane

looking so deranged and scary

and you are ok with that

as long as I am staying there and I’m staying away from you

-

You will not wake up because it is not a nightmare

It is the hardest thing you’ll ever do.